CAM Life Draw 12-18-12 #2

Still exploring the use of pastel in a painterly texture and the complementary palette. Ah, with the holidays, perhaps I need to rest my eyes and take a freshen up breather. . .

CAM Life Draw 12-18-12

Started out the evening feeling disconnected to my normal focus, couldn't get in the groove for some reason. Gestures didn't help loosen me up, 15 minute drawings were STIFF, so my hopes for the evening were quickly diminishing. And I couldn't figure out why - sometimes it just happens and you just have to not be so hard on yourself. I decided I would continue with the palette experiments, but this one isn't too far removed from what I have done already. So I decided to just go with it, including the mirror image setup. Not a fabulous or accurate drawing but some interesting elements in it - I particularly like the hands and foot design.

CAM LD #4

The last long drawing of the evening, and I switched from "realistic" skin tones, to just a palette experiment. Instead of red-orange for the light skin tones, I used yellow-orange instead - with a good deal more yellow than orange, and used one of my favorite colors in combination: blue-green and blue-violet for the shade areas. The red blanket and light violet-grey background don't quite work here, and there's a few anatomical tweaks (my excuse is she wiggled her upright arm the whole pose), but maybe I can fix it.

CAM LD #3

This time I tried a tetrad palette starting with the light red-orange of the skin, the red-violet shadows, the yellow-orange of the hair and allowing the rich red local color to anchor the whole thing. Interesting.

CAM LD 12-11-12 #2

I have been trying to work looser, but also trying to refresh my past knowledge of color palettes. Tried to render a somewhat local/realistic color but using a kind of split complementary, or a triad palette, using the light red-orange skin tone with a blue-violet shading and a bit of blue-green. Started using a bit of yellow-green in the gray areas and didn't like what it did. That's the purpose of the following drawings as well - interesting problems.

CAM life drawing 12-11-12 #1

This was actually the last 15 minutes of the evening, a quick charcoal on smooth paper - kind of like a cool down, from a tough workout!

Not a great drawing, but if you could see it in person, the pastels becomes almost creamy in texture on this paper and it creates a painterly effect - something I will work with in future. It's funny, for every artist there is a unique way to work with this medium (as it is every medium I guess), but standards and rules are more typically followed. I always kind of assumed that papers designed for pastels - many of them have a gritty surface to provide tooth for the pastel to hold onto - would be best for the pastel. But I so like this creamy texture, and so far have not lost much pastel! More to be discovered!